From a recent edition of the print-only publication Coffee News:
Artists in Russia are holding an event where visitors will be able to pay for their art using bottles of alcohol.
The Art for Booze event in St Petersburg will take place on 13 February, the day before Valentine’s Day, and is for “those who are in love with art”, according to the group’s VKontakte social networking page. Anyone attending can leave their cash at home and take along a bottle of wine, or something stronger. “Do you understand alcohol better than art?” the page reads. “Do you spend more money on drinking than our pieces cost? Drop this and exchange precious drinks for priceless paintings.” The event is strictly for over 18s, the legal age for buying alcohol in Russia.
Organisers say they’re reviving a practice that was common during the 1920s and 1930s. “All well-known painters from Picasso to Ilya Kabakov did this,” they tell Ukrainian website Novoye Vremya. “Marc Chagall and Salvador Dali, among others, designed the label for Mouton-Rothschild bottles in exchange for a crate of wine.”
Every year, in northeast China’s Heilongjiang province, the city of Harbin hosts the Harbin International Ice and Snow Sculpture Festival, featuring massive ice and snow sculptures. At night, the sculptures are colorfully illuminated and visitors can climb and play on some of the structures. The festival officially opened on January 5 this year, and will run through the end of February. According to organizers, the winter festival now draws several million tourists each year, from China and from abroad.
Go check it out.
Go see Blowhard, Esq.’s wonderful gallery of pics of kitschy black velvet painting gloriousness, here.
That would definitely be a fun museum to visit…
Thanks for this, EP; this is my first time, I think, seeing any Australian paintings!
Eddie Pensier writes:
More AGNSW pictures, this one focusing on the museum’s works by Australian artists. (I’m using a loose definition: artists who were either born or died or spent a substantial part of their lives in Australia.) I was especially taken by the nightmarish Surrealist paintings of Herbert McClintock and James Gleeson, enough that I’ll be investigating their work a lot further. Talk about out-Dalí-ing Dalí. I’m also a fan of Weaver Hawkins’ strikingly modernist jockeys, and Arthur Collingridge’s oddly sweet A Token of Friendship.